Monday, April 13, 2009

A Walk in the 'Hood



Can you believe this is right in our neighbourhood?!
All photos courtesy of Dave


I walk out our door, down the tight wooden spiral staircase that leads to a small courtyard paved in large and very worn stone. I follow a short passage way to a large heavy door and push the button to unlock it. Outside is Paris. In this city there is something to see literally on every corner and our own neighbourhood is no exception.

At the end of our street are two cafes with tables and chairs crowding the sidewalk, usually packed with people. Across the street from the cafes is a park with a playground and benches. This is the gathering place for young children and old men. The street beside the park is permanently blocked off with attractive planters and is the local soccer field. Boys of all shapes, sizes and colour throw down their jackets as goal posts and have loud and enthusiastic games. They are unencumbered with coaches, uniforms, soccer boots, pylons or even grass! I saw 2 ten year old boys part with "Salute" and a hand shake. Seems they have things well worked out.

A little further on is our neighbourhood shopping district. Everything is here, poissonerie, (fish market) fromagerie ( cheese market) flower shops, boulangerie ( bakery) boucherie (butcher) Italian deli, Greek deli, kitchen store, organic roasted chicken shop, and vegetable markets. And that's just on the street! If you look closely you'll notice a small doorway with a faded sign indicating the entrance to The Enfant Rouge Market. Inside is another world of vendors of everything gourmet. The market dates back to 1610 and is named after an orphanage that used to be nearby where the children wore red smocks.

All is lush and fragrant and squeezed into the smallest spaces possible. The green and purple tipped artichokes are piled next to leafy cabbages and wooden crates of heirloom tomatoes. Four varieties of oranges are lovely next to three varieties of strawberries, all arranged with their pointed bottoms sticking up. Fresh bundles of basil, thyme, and sage nestle next to baby spinach and arugula. Steam and aromas pour from tiny kitchens where everything from Morroccan to Caribbean to Japanese to Italian are available to take away or eat on small tables crowded together. The flower stall is run by a young gentleman who is patient as I fumble with both language and money. He tucks a rose into the bundle of tulips I purchase. He asks where I'm from and says he is from Bangladesh, as though we are compatriots in a new country. Though of course his french is perfect.

If I am feeling brave and extravagant I shop at the market, where all manner of conversation is necessary. Choosing one's vegetables is fine if you can reach them, but they are piled high and deep, so asking the shopkeeper for "trois tomate s'il vous plait" is required. Oh the trepidation! The thrill of victory! The agony of defeat when one realizes one has said "I'd like here olives".

If I'm feeling worn out I go to "Franprix", the cheap grocery store (cheap is relative as everything here is expensive!) You know those chipper--oh--so--friendly cashiers at Thrifty's? They don't do chipper at Franprix. Security guards walk the aisles (ok, they can be helpful, as when I was looking for the right button on the do it yourself weigh machine. The security guy quickly stepped up beside me to push the carrot button I was searching for) The cashiers are tired and bored. The line ups are usually long, because the customers are remarkably slow. Our Paris mentor, Uncle Fred shrewdly pointed out that Parisians fumble terribly with their change. And it's so true! Young and old alike poke through their coins like they've never used cash before.

At Franprix it's pack your own groceries; the cashiers will occasionally throw some bags your way (though the french are well accustomed to bringing their own bags). So we wait patiently as a young fellow packs all his items into his roll cart (those things that only the elderly use in Canada are used by all here...very practical! Anyone for changing the trend?! Allie?! Scott?!) and only when his cart is full does he begin poking with his coins. The cashier and he have to discuss the coins before the transaction is complete. And so it is with the next customer, except this time the woman appears to never have used a bank card and a great discussion ensues about how to scan it. But the French are polite, and all wait without complaint.

Down our street the other direction are the famous shops of the Marais. Small independent designers and shopkeepers of all variety have made this area famous. "Nous sommes lèche-vitrines" (we are window licking) the displays of gorgeous made to measure lingerie, hand made hats, hand crafted belts, and delicate bags from Japan. I venture into a shoe store that displays shoes like museum pieces. A gentleman with a trimmed beard and crinkly eyes doesn't pause at my confession of not understanding french. He continues (in french) showing me the shoes, the little embroidered eyelashes on this one, the miniature change purse on the toe of another. I reluctantly leave them all behind, one pair would have cost our rent for the month.

We stroll on and Dave leads us to a 13th century cloister, the oldest in Paris. Immediately the calm and cool overtake us. There is an art show here, with modern landscapes hung on the ancient walls. The young artist sits in a corner with his book while we and a few others wander. He's sold many of them. We leave empty handed, would have been another month's rent.






The last surviving medieval cloister in Paris

And so it goes. Dave and I walk for hours, sitting for a while in a sunny courtyard, or leaning on a stone bridge overlooking the Seine. We search out Gougiere, (heavenly cheese filled pastry) only available in Isle St Louis, but they are sold out. We wander into churches built in the 14th century, and listen to the organist practice. All in a day in Paris.

KA







St. Paul's Church hasn't been renovated or cleaned so doesn't attract many tourists. The organist and cellist were practicing with glorious results



A peaceful garden that feels miles away

Sunday, April 12, 2009

Paris Monument Grabs Innocent Tourist

TAG UPDATE

If you followed the last entry on the TAG exhibit, we were back in the area today. Seems like the organizers of the exhibit indeed did not like their signs tagged. All exhibit signage has been recently replaced..


Two days later, all signage replaced.

But wait, perhaps I'm being a bit hasty! The signage has recently been changed: the exhibit is SO popular, it is now open (a rare occurance) late on Wednesdays and Saturday nights until 11pm!

Friday, April 10, 2009

TAG gains cred (Grand Palais, Paris)

The underground corridors of Paris's vast metro system are lined with posters announcing upcoming gallery and museum shows throughout the city (and there are many!). Last week, one particular "affiche" caught our eye, the current show "T.A.G.", an acronym for "Tag And Graffiti". The show has great potential, since it's taking place in an unused -- and currently under renovation -- wing of the "Grand Palais", the exhibition venue built originally for the 1900 World's Fair. Check this out.

I had imagined great walls of stone, brick, and mortar, tagged in all it's glory! So, we planned a full morning there.


Metro poster announcing current TAG show


Subtopic #1: ART COMMUNITY VS. TRANSPORT AUTHORITY

The design of the poster is inviting. The graphic designer has used "Clever use of white space", an open invitation.... If you were a TAG artist (or, tagger) wouldn't you love that wide section of white space as your canvas?


But the local transit authorities don't seem to think so. As fast as the Taggers can make use of this canvas, metro workers rush about, covering up the tags with adhesive paper strips... more blank canvas!




Subtopic #2: IF YOU BUILD IT, THEY WILL COME
We arrive at the gallery entrance. Taggers have wasted no time adorning the gallery's entrance banners with their signatures. Art gallery authorities in this case have turned a blind eye and made no attempt to cover up, remove, or replace the signage.






Subtopic #3: DO THEY REALLY UNDERSTAND?

The gallery organizers hired the wrong staff to create the interior signage. A bad effort of stencilling announced the upstairs entrance. Weak effort. Maybe they should have hired a TAGGER?




OK, Enough Already, ON TO THE GALLERY...

Here's the idea. You're an art collector, and you create a studio. You then invite some 150 world-wide (famous?) taggers to come to your studio (over a 2 year period) and SPRAY-AWAY! The organizer provided each artist with two blank canvases. The artist-taggers were requested to follow this suggestion: On the left, illustrate who you are, OR, your TAG. On the right, illustrate your concept of Amour! The results were wide and varied.














The third one down is from Belgium. Obviously he had some early education in calligraphy!


This young girl is the future of tagging!


Subtopic #4: Appealing to YOUTH

This show obviously attracted alot of youth. Galleries here usually offer free or reduced admission charges for 18-25 year olds. Great idea, but often underutilized, but not here. Interestingly, the most popular part of the exhibition was the guest book. TAG AWAY!










Subtopic #5: Nothing left Untagged


Exhibit washroom. Bring your gold or white pen and TAG ON!

A neighbouring exhibit, not scheduled to open until next week, is just setting up. Silly signmaker. He left a huge white panel completely unprotected. i wonder if they'll cover this one up?



For more information on the exhibit, CLICK HERE

DM

RECENT UPDATE a return on April 12th

If you followed the last entry on the TAG exhibit, we were back in the area today. Seems like the organizers of the exhibit indeed did not like their signs tagged. All exhibit signage has been recently replaced..


Two days later, all signage replaced.

But wait, perhaps I'm being a bit hasty! The signage has recently been changed: the exhibit is SO popular, it is now open (a rare occurance) late on Wednesdays and Saturday nights until 11pm!

Thursday, April 9, 2009

2 Free Oysters with Parking



Opened in 1927 and the former haunt of Josephine Baker, Henry Miller, Man Ray and the like, Dave the indefatigable researcher, has chosen an historic place for lunch. "La Coupole" is a vast room of linen tables, art deco lighting and 32 painted art deco columns, bustling with tuxedoed waiters.



As we enter, we are greeted by a handsome Indian man in long robes and a white jewelled fez who directs us to our table. Menus are provided by another gentleman and we unfurl our linen napkins. Dave has pegged it; this is a place of history and elegance, but within our taste and budget.




Dave's Salade Artichaude (artichoke salad) with Parmesan

Reading a menu in another language is a humbling experience. We don't like to think of ourselves as the Clampett's from the hinterland, but we're hoping we haven't ordered fried goose neck or some such thing. Oysters are done well here, so I opt for 6. I notice a note in the menu that indicates that if you park your car in such and such lot you get 2 oysters for free! Hmmm..too bad we aren't driving, seems like a deal!

Yet another tuxedoed waiter takes our order, and we settle in with our wine. I mention to Dave the deal with the parking and the free oysters and he looks puzzled. Seems I have equated huitres with hueres......the offer is 2 hours of parking for free, not 2 oysters for free. We laugh too loudly and show our Clampett roots.

Sitting beside us -- close beside us as these places really pack 'em in -- are two lovely old french ladies, obviously old friends who come here often. Dave looks over at at me; he'd like to ask them about the traditions of tipping. I encourage him on, I know they'll think he's a handsome young thing. And of course they do! They talk and talk, tell us they come here twice a month and have been doing so for many years. The two of them get preferred seating and a glass of champagne on the house. They are full of advice about tipping and exclaim the merits of La Coupole, the service, the attention. The two of them are charming and chatty, our meals have arrived and are getting cold as the chatter goes on. Mais Oui! One of the women notices our food chilling and jumps up! She searches out the waiter and tells him that we have all been talking too long and our food is cold...we need new plates! Our waiter obliges. Our plates are not just warmed, they are brand new servings. Dave and I shuffle our feet in embarrassment, not sure if this is a cultural thing or more Clampett-ness.


Shuffling our feet on the tile floor

The lovely women leave with handshakes all round, and we enjoy our meal. The petit creme, (espresso with hot cream on the side) with Isl Flottante (floating islands) for dessert, we are happy happy.


Isl Flottante (poached meringue drizzled with caramel sauce, floating in creme anglaise topped with roasted almonds)

We ask for our bill (in France the table is ours 'til we ask for the bill, we could sit for hours!) and our very pleasant waiter obliges. Dave pulls out his wallet, and a few bills and his "Navigo" (transit pass) overflow onto the table. Our waiter does a double take... "Monsieur, do you have a Navigo?" In french this is much harder to figure out than you'd think, because everyone has a Navigo, why is he talking about it?! Turns out that we are eligible for a 15% discount with a Navigo! Who knew!!

A better deal than two free oysters.....

KA

Monday, April 6, 2009

The Bagatelle Gardens

I don't pretend to know Paris intimately, but we've been here a few times and have seen the big sites. So how is it that we have never heard of one of the most beautiful gardens I've had the pleasure of visiting? Denise and Fred, our wonderful Paris mentors, told us about the Bagatelle garden and we do everything they recommend. So we checked the weather forecast and headed off to the far outskirts of the city.


They don't make garden gates like they used to!

Like everything in Paris, the Bagatelle has an old and colourful history. It is located in the Bois de Boulogne which was a forest outside of Paris that the Royals frequented for hunting and hiding away with mistresses. In 1722 a Duke built a chateau for his wife, but it fell into disrepair. The Comte of Artois ( brother of Louis 16th and future King Charles 10th) bought it and accepted a wager of 100,000 livres from the queen Marie Antoinette that he could have the house ready in a few weeks for a fete. On 21st September 1777, nine hundred men started the work: they worked day and night, by the light of torches and encouraged by music. Bagatelle was completed sixty-four days later on the 26th of November.


Raised Iris beds. Irrigation canals bring water to the beds from the fountain:


A carved stone fountain flows water into an oyster shell, spreading the water into the irrigation ditches.

The gardens themselves were created in subsequent years and under the direction of a number of designers and reflects different periods of garden design.


Lawns won't get cut until the "naturalized" bulb beds have finished

Visiting in April means that the spring flowers were at their best, and Dave has captured the essence beautifully. We wished we could have captured the aroma for your added pleasure, but you will have to use your imagination.


Stop and smell the... Clamatis


Guess what they're growing on the trellises? I'll bet you didn't guess APPLES! Yes, and they bloom, and bear fruit in October.

The rose garden is just beginning to show itself, and it would be worth the price of an airline ticket to visit it at it's best. There are 1100 roses shown at Bagatelle. 20 % are old roses introduced before 1920: Bagatelle is registered as a ' National collection of modern roses". My jaw was in a constant state of dropping and Dave finally had to drag me away.

1100 varieties of roses waiting for warmer weather.










Of course everything in Paris has a restaurant (the grocery department of Galleries Lafayette has TEN. I am NOT kidding, ten separate eating spots) and this one was the most elegant outdoor patios I've seen. Linen, crystal, and large plush chairs with giant tied bows on the backs. We would have given up our tupperware-contained lunch (carrots, etc.) but we had forgotten to wear our black tie and heels. Ces't dommage!

KA

When in Paris one must visit the Eiffel Tower...

'nuff said.
KA


morning


11pm

Wine tasting adventures in northern Spain

Passing from southern France into northeastern Spain, (the Costa Brava), one crosses the barren hills of the Eastern Pyrennes, and drops to the plains of the "Emporda" wine growing region. Similar to the endless grape-growing terrain of south eastern france, the wines here were more often destined to be endlessly blended into unremarkable (and most-often exportable) "vat" wines. But times are rapidly changing.

Our decision to visit this area of Spain was hatched last summer when I stumbled across a wine from our local Sidney liquor store, ESPELT SAULO. On a whim, I emailed the winery asking for suggestions for accommodations near their winery. When I received the response -- a month later -- I had almost forgotten about my original request. But the kind manner of the email, and the potential of the region, beckoned us on!

Now in Spain, but still in Catalan country, our excitement was rising as we bumbled our way on small country roads to the winery. Iconic visions of a grand Spanish winery bounced in our heads, as Flamenco dancers swirling between ancient oak barrels.

Our hearts sank when we saw an industrial concrete building set amidst a gravel drive (albiet plunked in the middle of a vineyard). With map in hand, could this be it? Our hopes were further dashed when we entered to discover no tasting room, and sadly, a chasm of a language barrier. They don't speak english or french, and that is the end of THAT!

I didn't give up. I went out to the car, fired up my laptop, and gathered the name of the kind gentleman who had inspired our hopes in the first place. Entering the winery again, i made my way to a different clerk. Trying to look as professional as possible, I requested if he was available. As it turns out, he's the international marketing manager and only spends one day a month on location. But to our advantage, I was now talking to the winery manager, who seemed to think that I may be someone of importance.

So, we had the V.I.P. tour of all aspects of the winery, then a seemingly endless tasting on the second floor.


Wine tasting at Espelt winery. Big pours, and no rushing!


Barrel aging in french and american oak.

We were introduced to the owner (who luckily enjoyed conversing in french) who showed us his office and love of art (the upstairs meeting room at the winery hosts frequent art displays). We also met his daughter Anna who studied in the US and is now in charge of wine production, and who had just returned from a wine-info-trading trip to Australian wineries.

This is a true new world winery. The family's first grapes were planted in 1904, but in the early 90s the family decided to start their own winery (AKA brand). The ESPELT holdings include over 200,000 hectares of vineyard. They broke the traditional rules of labelling. By way of a "family decision" as Anna recounts, they hired one of Spain's most famous graphic designers Javier Mariscal (responsible for the mascots and logo work for the Barcelona Olympics among many other credits) to create their labels. View his works HERE.

This is a winery with a fresh approach. Along the back wall, six spigots - resembling gas-station pumps - offer unaged local wine for quick consumption at a reasonable cost (sold at about $1.50 per litre... bring your own jug or buy one for 1 euro). At the other extreme, there's a 500ml sweet wine created specially for the Japanese Market, it sells for $50 at the winery, probably twice that in Japan.

Our favourite was the "Airam". It's a sweet wine (no sugar added) made from Granache that is made using the Solera method. Huge oak barrels contain the wine. Joven (young) wine is added annually at the top. Evaporation naturally occurs through the barrel. And wine is removed through the spigot in the bottom at the vinter's whim.

This wine was started in 1998 so the wine I am drinking now, as I write this, is a blend of wines up to 11 years old. As time continues, the wine continues... endlessly aging in the barrel. The production is limited, and the label is in Catalan. Imagine drinking an Espelt AIRAM 30 years from now, when there is still 40 year old wines aging in the same cask as the younger ones.


Solera aging in Oak vats. Notice the spigot on the bottom.

As we left the winery, we received a gift of an Espelt corkscrew which we dearly needed.

Camera battery died so now I'm taking pictures with my laptop!


We also received a fine recommendation for a local restaurant (in Spain, lunch starts at 3pm!).


Keep your eye open for "Emporda" wines, this region is up and coming. And if you spot it at your local liquor store, please buy a bottle of Espelt!

Visit the Espelt Winery website to view their interesting graphics and to get more information on the area.

And one of the advantages of travelling off-season is arriving at a bed&breakfast suited for 20, but we're the only ones there!

DM